We understand no tech company is perfect, and that the problem is bigger than Spotify. But at the very least, Apple Music and Tidal—where we will be hosting our playlists moving forward—care about sound quality, have higher per-stream rates, and don’t seem to be daring music lovers to hate them every single week.

What we’re seeing right now is not innovation, we’re seeing people struggle to contend with the reality that it’s over. They’re coping with the fact that the innovation phase for computing devices has finished. They’re grasping for continued relevance.

I refuse to believe there is anything you are getting there, whether it be social or professional, that is worth the constant exposure to and indirect support of an outwardly fascist social media platform.

There’s just no reason to support Microsoft’s gaming endeavors at this point. It’s had plenty of time to get things right; it’s not going to. The company’s other endeavors aren’t looking great, either.

None of those people were responsible for calling it the Xbox Series X But Also Series S. The person answering phones at Arkane didn't bet the farm on Game Pass becoming the next Netflix then...not becoming the next Netflix. An artist paid to draw spaceships for a Halo game didn't decide that Xbox should mean an actual Xbox but also kinda mean an Oculus Quest 3 and some handhelds and cloud services but also not really.

They are not charming. They are not building anything. They have scooted along amassing billions of dollars promising the world and delivering you a hill of dirt. They deserve our derision — or, at the very least, our deep, unerring suspicion, if not for what they’ve done, but for what they’ve not done.

I’ve watched this story loop around resolution like a broken record for years, clinging to the hope it might land somewhere bold. I’m not that teenager chasing trainwrecks anymore—I’ve got bills, better taste (in trashy anime), and better manga to read.

One of the most viral Robotaxi freakouts shows one of the not-exactly-self-driving cabs braking repeatedly when driving near police cars, blowing through an intersection, and swerving into oncoming traffic — all within the brief 20 minutes that the ride was filmed by its backseat passenger.